3/31/2023 0 Comments Shore landr![]() ![]() Some of the layering is calming, like swishing of water behind an anecdote about childhood. At some points the sounds overlap, words over music or even words over words. The piece begins with the sound of water and flits between treaty readings, legislation, interviews, anecdotes, nature sounds and songs. I head to the north, toward the abandoned ore walls, and make my way clockwise while the twenty-five-minute piece plays, perfectly timed to a slow lap around the perimeter. For the next twenty-five minutes, a multidirectional meander takes over the park. “And her spirit,” Warren says, the light in her eyes flickering, her warmth toward Lee cutting through the biting wind.īefore the cold can creep in too deeply, a QR code is handed out to the group and everyone scans it and puts headphones on. Warren was convinced by Lee’s knowledge and commitment. Lee explained her project and her own background as a Korean immigrant. Warren decided to stay open and the two exchanged words. “When I first heard about JeeYeun, I was like who is this lady? What does she want to do with the Potawatomi?” Warren says. “I want to know who’s here-I’m Billie,” she says warmly, as people gather. Warren, chatty and bright, is wearing a pink Patagonia puffy jacket and rhinestone sneakers. ![]() But Lee is also magnetic in her ability to gather people and rally them.īillie Warren, an educator and artist of the Pokagon Band of Potawatomi, introduces the audio piece at Steelworkers Park. ![]() She has a habit of distributing credit, and I always leave our conversations with a list of other people that I should talk to. “Shore Land” is an expansion on “Whose Lakefront,” as the two projects share content and collaborators. Low, she developed the “Whose Lakefront” project, a procession through downtown Chicago that left a line of red sand on the sidewalks, marking the unceded land. Last fall, after Lee read about the court case in a book by John N. Participants meander during “Shore Land,” an audio exhibition by JeeYeun Lee at Steelworkers Park, 2022 The series as a whole is part of the Roman Susan Art Foundation’s “Navigations” series. Each track corresponds with a different section of shoreline between Evanston and Indiana. “Calumet” is one of six audio tracks that Lee is working on with collaborators and an audio engineer. The occasion was the preview of a new audio piece, “Shore Land,” created by JeeYeun Lee. The plaque at its base reads: “Tribute to the Past.” The statue is one of many above-ground tributes to the history of the region’s steel industry.Ī dozen people gathered at the foot of the statue on Saturday, October 14 to pay tribute to a past that rests beneath the ground: the unceded Potawatomi territory underfoot. The statue features a union steelworker sporting overalls and a handlebar mustache, surrounded by a woman, three children and a dog. Roman Villarreal, “Tribute to the Past,” Steelworkers ParkĪt the entrance to Steelworkers Park where 87th meets Lake Michigan stands a fifteen-foot-tall statue by local artist Roman Villarreal. ![]()
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